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St John the Baptist wears his iconographical clothes, but the sainted English kings Edward the Confessor and Edmund the Martyr are in contemporary royal dress. The Wilton Diptych 1395–99. Wool was the most important material for clothing, due to its numerous favourable qualities, such as the ability to take dye and its being a good insulator. [5]
15th century costume - the Houppelande. A houppelande or houpelande is an outer garment, with a long, full body and flaring sleeves, that was worn by both men and women in Europe in the late Middle Ages.
Miniature of Sinon and the Trojan Horse, from the Vergilius Romanus, a manuscript of Virgil's Aeneid, early 5th century. A miniature (from the Latin verb miniare 'to colour with minium', a red lead [1]) is a small illustration used to decorate an ancient or medieval illuminated manuscript; the simple illustrations of the early codices having been miniated or delineated with that pigment.
Survey of historic costume: A history of Western dress (2nd ed.). New York: Fairchild Publications. ISBN 1-56367-003-8. Van Buren, Anne H. Illuminating Fashion: Dress in the Art of Medieval France and the Netherlands, 1325–1515. New York: Morgan Library & Museum, 2011. ISBN 978-1-9048-3290-4
Pictish art was the only uniquely Scottish medieval style; it can be seen in the extensive survival of carved stones, particularly in the north and east of the country, which hold a variety of recurring images and patterns. It can also be seen in elaborate metal work that largely survives in buried hoards.
Opus Anglicanum or English work is fine needlework of Medieval England done for ecclesiastical or secular use on clothing, hangings or other textiles, often using gold and silver threads on rich velvet or linen grounds. Such English embroidery was in great demand across Europe, particularly from the late 12th to mid-14th centuries and was a ...
Medieval European costume generally covers clothing worn in Europe from the dawn of the Middle Ages (loosely c. 350-500 AD) to the birth of modern Western fashion around 1750. Clothing popularised c. 1750 through World War II is categorised under Category:History of clothing (Western fashion) .
The extent to which either type was used is a debated topic. Lamellar was used by various cultures from this time up through the 19th century. Lamellar armour is often associated with the samurai class of feudal Japan, but was commonly used in ancient and medieval China, Korea, and Mongolia.