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The Greek tragedian Euripides is notorious for using this plot device as a means to resolve a hopeless situation. For example, in Euripides' play Alcestis, the eponymous heroine agrees to give up her own life to Death in exchange for sparing the life of her husband, Admetus. In doing so, however, Admetus grows to regret his choice, realizing ...
Unseen characters have been used since the beginning of theatre with the ancient Greek tragedians, such as Laius in Sophocles' Oedipus Rex and Jason's bride in Euripides' Medea, and continued into Elizabethan theatre with examples such as Rosaline in Shakespeare's Romeo and Juliet. [2]
Deus ex machina in Euripides' Medea, performed in 2009 in Syracuse, Italy; the sun god sends a golden chariot to rescue Medea.. Deus ex machina (/ ˌ d eɪ ə s ɛ k s ˈ m æ k ɪ n ə, ˈ m ɑː k-/ DAY-əs ex-MA(H)K-in-ə, [1] Latin: [ˈdɛ.ʊs ɛks ˈmaːkʰɪnaː]; plural: dei ex machina; 'God from the machine') [2] [3] is a plot device whereby a seemingly unsolvable problem in a story is ...
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
Romeo enters the church where Juliet lies and consumes the poison just as Juliet wakes up. Distraught over Romeo’s death, Juliet picks up his gun and shoots herself in the head, falling down beside his lifeless body. Romeo's body is being taken inside an ambulance with a crowd of spectators and reporters observing the incident from behind the ...
Euripides [a] (c. 480 – c. 406 BC) was a Greek tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the Suda says it was ninety-two at most.
“And they are insistent upon being seen because of technology.” (A luxury that would’ve really helped Romeo and Juliet better communicate their escape plot.) But even if Romeo & Juliet were ...
Stichomythia (Ancient Greek: στιχομυθία, romanized: stikhomuthía) is a technique in verse drama in which sequences of single alternating lines, or half-lines (hemistichomythia [1]) or two-line speeches (distichomythia [2]) are given to alternating characters.