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At the end of the last play, a satyr play was staged to revive the spirits of the public, possibly depressed by the events of the tragedy. [ note 1 ] In the work of Aeschylus, comparing the first tragedies with those of subsequent years, there is an evolution and enrichment of the proper elements of tragic drama: dialogue, contrasts, and ...
The Alexandrine grammarians, and most likely Aristophanes of Byzantium in particular, seem to have been the first to divide Greek comedy into what became the canonical three periods: [3] Old Comedy (ἀρχαία archaía), Middle Comedy (μέση mésē) and New Comedy (νέα néa). These divisions appear to be largely arbitrary, and ancient ...
These simple encounters highlight Medea's skill and determination in manipulating powerful male figures. The play is also the only Greek tragedy in which a kin-killer makes it unpunished to the end of the play, and the only tragedy about child-killing in which the deed is performed in cold blood, as opposed to in a state of temporary madness. [12]
In drama, particularly the tragedies of classical antiquity, the catastrophe is the final resolution in a poem or narrative plot, which unravels the intrigue and brings the piece to a close. In comedies, this may be a marriage between main characters ; in tragedies, it may be the death of one or more main characters.
Antigone (/ æ n ˈ t ɪ ɡ ə n i / ann-TIG-ə-nee; Ancient Greek: Ἀντιγόνη) is an Athenian tragedy written by Sophocles in (or before) 441 BC and first performed at the Festival of Dionysus of the same year. It is thought to be the second-oldest surviving play of Sophocles, preceded by Ajax, which was written around the same period.
The word τραγῳδία, tragodia, from which the word "tragedy" is derived, is a compound of two Greek words: τράγος, tragos or "goat" and ᾠδή, ode meaning "song", from ἀείδειν, aeidein, 'to sing'.
In his Poetics, a theory about tragedies, the Greek philosopher Aristotle put forth the idea the play should imitate a single whole action and does not skip around (such as flashbacks). "A whole is what has a beginning and middle and end.
Mythos [from Ancient Greek μῦθος mûthos] is the term used by Aristotle in his Poetics (c. 335 BCE) to mean an Athenian tragedy's plot as a "representation of an action" [1] or "the arrangement of the incidents" [2] that "represents the action". [3] Aristotle distinguishes plot from praxis – which are the actions the plots represent. [4]