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Example of the strie faux painting technique over raised stencil. Strié is a negative glaze technique. The glaze is generally rolled over the entire surface, and then removed with a tool such as a brush. [1] The word strié can be used to describe this process of painting, or to describe the actual finish created.
A glaze is a thin transparent or semi-transparent layer on a painting which modifies the appearance of the underlying paint layer. Glazes can change the chroma , value , hue and texture of a surface.
A color wash is a popular technique in faux painting using paint thinned out with glaze to create a subtle wash of color over walls or other surfaces. [1] Color washing gives a surface a translucent, watercolor appearance. [2] It can be used to add texture or accentuate natural surfaces.
Some professionally applied finishes in the high-end, Bay-Area homes of northern California, for example, were as simple as oil glaze, oil-based paint or penetrol or as complicated as applications with peacock feathers and 4 different colors applied using 4 different techniques. In modern-day faux finishing, there are two major processes used.
Wood finishing is one of the most traditional and still popular uses of shellac mixed with solvents or alcohol. This dissolved shellac liquid, applied to a piece of wood, is an evaporative finish: the alcohol of the shellac mixture evaporates, leaving behind a protective film. [39] Shellac as wood finish is natural and non-toxic in its pure form.
Rag painting or ragging is a form of faux painting using paint thinned out with glaze and old rags to create a lively texture on walls and other surfaces. [1] [2] Example of the ragging design with a stencil. Ragging can be done as a negative or positive technique.