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Roland P-55 1993 3 28 32 0 Piano module, with a limited set of instruments. Can be used in tandem with other GS/GM compatible synthesizers via their MIDI THRU ports to override certain instruments. Roland SD-35 1993 GM GS: 16 28 223 8 16-bit @ 33.1 kHz SC-50 with integrated MIDI sequencer. [7] Roland SC-50 1994 GM GS: 16 28 226 9 18-bit @ 33.1 kHz
The Roland S-50 is a 61-key 12-bit sampler keyboard produced by the Roland Corporation in 1986. It featured a 3.5-inch DSDD floppy disk drive and had external CRT monitor support to facilitate editing of samples. It could hold up to 32 samples. A rack-mounted version was also available, which featured expanded memory. [2]
The Roland D-50 is a synthesizer produced by Roland and released in April of 1987. Its features include digital sample-based subtractive synthesis , on-board effects, a joystick for data manipulation, and an analog synthesis-styled layout design.
Within Roland's family of linear arithmetic (LA) synthesizers, the multitimbral MT-32 series constitutes the budget prosumer line for computer music at home, the multitimbral D-5, D-10, D-20 and D-110 models constitute the professional line for general studio use, and the high-end bitimbral D-50 and D-550 models are for sophisticated multi ...
Roland GS, or just GS, sometimes expanded as General Standard [1] [2] or General Sound, [1] is a MIDI specification. It requires that all GS-compatible equipment must meet a certain set of features and it documents interpretations of some MIDI commands and bytes sequences, thus defining instrument tones, controllers for sound effects, etc.
The Roland D-05 is a synthesizer first manufactured in 2017. It is a smaller version of the Roland D-50 which was produced in 1987. [1] [2] The D-05 is part of the Roland's Boutique range of new and recreated synths. This particular Boutique module has additional functionality compared to its bigger brother.
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Roland also made sound cards in the late 1980s such as the MT-32 [3] and LAPC-I. Roland cards sold for hundreds of dollars. Many games, such as Silpheed and Police Quest II, had music written for their cards. The cards were often poor at sound effects such as laughs, but for music were by far the best sound cards available until the mid-nineties.