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In the most classic style of flattop for men and boys, the hair on top of the head is styled upright and cut flat from front to back before rounding over the crown at the back of the head. The shortest hair on top, which is at the highest point on the head, is cut to about a quarter of an inch long, resulting in hair at the front being about 3/ ...
The ducktail is a men's haircut style popular during the 1950s. It is also called the duck's tail, duck's ass, duck's arse, or simply D.A. and is also described as slicked back hair. [1] [2] The hair is pomaded (greased), combed back around the sides, and parted centrally down the back of the head.
A 19th-century samurai with a chonmage. The chonmage (丁髷) is a type of traditional Japanese topknot haircut worn by men. It is most commonly associated with the Edo period (1603–1868) and samurai, and in recent times with sumo wrestlers.
Actor Don Grady sporting a regular haircut.. A regular haircut in Western fashion is a men's and boys' hairstyle featuring hair long enough to comb on top, with a defined or deconstructed side part, and back and sides that vary in length from short, semi-short, medium, long, to extra long.
A hairstyle, hairdo, haircut, or coiffure refers to the styling of hair, usually on the human head but sometimes on the face or body. The fashioning of hair can be considered an aspect of personal grooming , fashion , and cosmetics, although practical, cultural, and popular considerations also influence some hairstyles.
A mid-1970s example of the pageboy haircut. The pageboy or page boy is a hairstyle named after what was believed to be the haircut of a late medieval page boy. It has straight hair hanging to below the ear, where it usually turns under. There is often a fringe (bangs) in the front. [1] This style was popular in the mid-to-late 1970s and 1980s.
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"Haircut" is a short story by American writer Ring Lardner, first published in 1925. [1] It is told from the perspective of a loquacious barber as he recounts the story of a town prankster named Jim Kendall. The story is a bleak satire on warped small-town morality and considered Lardner’s most famous work outside of sports writing. [2]