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"Variazioni di bravura" (on Caprice No.24) for violin and guitar [6] "6 Duetti Fiorentini" for violin and piano (Ed. Max Kergl) [6] "Sonata a violino principale" (for solo violin, violin and cello) [3] [6] "Introduzione e tema con variazioni" (for solo violin and string quartet) [3] "6 Preludi" (for 2 violins and bass) [3] "4 Studies" for solo ...
Gregor Piatigorsky – Variations on a Paganini Theme, for cello and orchestra (1946), later arranged for cello and piano; Simon Proctor – Paganini Metamorphasis, for solo piano; Frank Proto – Capriccio di Niccolo for Trumpet and Orchestra (1994). Nine Variants on Paganini for Double Bass and Orchestra, also for Double Bass and Piano (2001).
The saxophonist David Hernando performing Caprice No.5, by Niccolò Paganini. Caprice No. 5 is one of 24 caprices for solo violin composed by virtuoso violinist Niccolò Paganini in the early 19th century. The piece is known for its fast tempo and technical difficulty.
Since Paganini, many variations on the theme have been written, most notably those by Jean-Baptiste Arban, Del Staigers, Herbert L. Clarke for the cornet, trumpet, and euphonium, Francisco Tárrega and Johann Kaspar Mertz for classical guitar, Ignace Gibsone and Louis Moreau Gottschalk for piano, and Giovanni Bottesini for double bass. [3]
Mario Castelnuovo-Tedesco – Capriccio Diabolico for classical guitar is a homage to Paganini, and quotes "La campanella" Frédéric Chopin – Souvenir de Paganini for solo piano (1829; published posthumously) Ivry Gitlis – Cadenza for the 1st movement of Paganini's Violin Concerto No. 2 Op. 7 "La Campanella" (1967)
Romanza is an instrumental composition for guitar recorded by Andres Segovia in 1944, and again in 1967. The piece was credited to Niccolò Paganini, but based on themes from Paganini's Grand Sonata in A Major Op.39:II, arranged by Manuel Ponce. [1] The piece was also recorded by Julian Bream.
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Ricordi first published them in 1820, where they were grouped and numbered from 1 to 24 as Op. 1, together with 12 Sonatas for Violin and Guitar (Op. 2 and 3) and 6 Guitar Quartets (Op. 4 and 5). When Paganini released his Caprices , he dedicated them " alli artisti" (to the artists) rather than to a specific person.