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The production of these imitation wax-print fabrics, allow those who cannot afford the European imported wax prints to be able to purchase them. The fancy print designs often mimic or copy the designs of existing wax print designs but as they are cheaper to make, manufacturers tend to take risks and experiment with new designs. [15]
Kente production can be classified by three versions: authentic kente cloth made by traditional weavers, kente print produced by brands such as Vlisco and Akosombo Textile Ltd, and mass-produced kente pattern typically produced in China for West Africans. Authentic kente cloth is the most expensive, while kente print varies in price depending ...
A greater variety in the patterns and functions exist in Ewe kente, and the symbolism of the patterns often has more to do with daily life than with social standing or wealth. Dagbon: The people are specialised in weaving the Chinchini. This African textile is used to weave the Ghanaian Smock. Queens, princesses and women of Dagbon wear the ...
The first quilt showed a bolt of lightning signifying power, held in the hand of a black worker." [4] Altogether, Ruth and the group of women quilters constructed six quilts, known as the "T.V.A. quilts," of which three are remaining; they have been exhibited at the Museum of Arts and Design and the Michigan State University Museum, among others.
Alabere: Stitching raffia onto the fabric in a pattern prior to dyeing. The raffia palm is stripped, and the spine sewn into the fabric. After dyeing the raffia is usually ripped out, although some choose to leave it in and let wear and tear on the garment slowly reveal the design. Eleko: Resist dyeing with cassava paste painted onto the fabric.
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Sotho woman wearing a brown shweshwe dress. Shweshwe (/ ˈ ʃ w ɛ ʃ w ɛ /) [1] is a printed dyed cotton fabric widely used for traditional Southern African clothing. [2] [3] Originally dyed indigo, the fabric is manufactured in a variety of colours and printing designs characterised by intricate geometric patterns.