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The English philologist and author J. R. R. Tolkien created several constructed languages, mostly related to his fictional world of Middle-earth.Inventing languages, something that he called glossopoeia (paralleling his idea of mythopoeia or myth-making), was a lifelong occupation for Tolkien, starting in his teens.
The first stanza of Tolkien's Quenya poem "Namárië", written in his Tengwar script. The Elvish languages of Middle-earth, constructed by J. R. R. Tolkien, include Quenya and Sindarin. These were the various languages spoken by the Elves of Middle-earth as they developed as a society throughout the Ages. In his pursuit for realism and in his ...
The languages were the first thing Tolkien created for his mythos, starting with what he originally called "Qenya", the first primitive form of Elvish. This was later called Quenya (High-elven) and is one of the two most complete of Tolkien's languages (the other being Sindarin , or Grey-elven).
Podhorodecka concludes that Tolkien's constructed languages were certainly individual to him, but that their "linguistic patterns resulted from his keen sense of phonetic metaphor", so that the languages subtly contribute to the "aesthetic and axiological aspects of his mythology". [21]
The Etymologies is J. R. R. Tolkien's etymological dictionary of his constructed Elvish languages, written during the 1930s.As a philologist, he was professionally interested in the structure of languages, the relationships between languages, and in particular the processes by which languages evolve.
The Lhammas (/ˈɬɑmɑs/), Noldorin for "account of tongues", is a work of fictional sociolinguistics, written by J. R. R. Tolkien in 1937, and published in the 1987 The Lost Road and Other Writings, volume five of The History of Middle-earth series.
John Ronald Reuel Tolkien was born on January 3, 1892 in South Africa and raised in England. He graduated from Oxford, served in World War I and went on to become a professor at his alma mater.
But Tolkien himself never intended to make his languages complete enough for conversation; as a result, newly invented Elvish texts, such as dialogue written by the linguist David Salo to be sung to the musical score for Peter Jackson's Lord of the Rings films, require conjecture and sometimes coinage of new words.