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Concerto in E-flat for solo horn, 2 flutes, 2 horns, and strings; Trio for Horn, Violin and Cello in E-flat; Anton Teyber. Two Concertos for Corni da Caccia; Othon Vandenbroek 1st Symphonie concertante E-flat major for 2 horns solo and orchestra; Johann Christoph Vogel. Concertante No. 1 in E major for 2 Horns and Orchestra
The French horn (since the 1930s known simply as the horn in professional music circles) is a brass instrument made of tubing wrapped into a coil with a flared bell. The double horn in F/B ♭ (technically a variety of German horn) is the horn most often used by players in professional orchestras and bands, although the descant and triple horn have become increasingly popular.
Like the other two soloists, Purvis improvised his own cadenza for the two horn concerti on the disc. [5] Fred Rizner has recorded this concerto together with K. 495 with the English Chamber Orchestra conducted by José Luis García Asensio on a Summit disc which also includes the Clarinet Concerto, K. 622 (with clarinetist Joaquin Valdepeñas).
In 1882–83 Richard Strauss wrote his Horn Concerto No. 1 in E-flat major, Op. 11, in two versions, one for piano accompaniment and one with an orchestra. (The horn part is the same.) The horn concerto has become the most frequently performed horn concerto written in the 19th century.
The Danse Nuptiale (Wedding Dance) was originally composed as a work for chamber orchestra and soloists in 1961. It was published by Alphonse Leduc in 1962 and dedicated to Andre Boutard. The original instrumentation was for oboe, clarinet, bassoon, French horn, tuba, tympani, a battery of percussion, piano, and string quintet. The first ...
However, playing a 3rd space C (F-horn, open) and repeating the stopped horn, the pitch will lower a half-step to a B-natural (or 1/2 step above B ♭, the next lower partial). The hand horn technique developed in the classical period, with music pieces requiring the use of covering the bell to various degrees to lower the pitch accordingly.
In March 1950, he gave the French premiere of Richard Strauss' Second Horn Concerto with André Cluytens leading the Paris Conservatoire Orchestra. Three contemporary composers dedicated works to him, and Thévet gave the first performance of concertos by Henri Tomasi (1955), [ 8 ] Pierre-Max Dubois (1957), and Émile Passani (1966).
In 1849, Robert Schumann explored the horn as a solo instrument, dedicating to it an "Adagio and Allegro," Op. 70, before embarking on the composition of an orchestral work featuring four solo horns (having also composed the "Five Songs based on Heinrich Laube's Hunting Compendium" for men's choir and four horns, Op. 137 that same year).