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The Return of the Prodigal Son includes figures not directly related to the parable but seen in some of these earlier works; their identities have been debated. The woman at top left, barely visible, is likely the mother, [4] while the seated man, whose dress implies wealth, may be an advisor to the estate or a tax collector. [3]
The Return of the Prodigal Son (1773) by Pompeo Batoni. The Parable of the Prodigal Son (also known as the parable of the Two Brothers, Lost Son, Loving Father, or of the Forgiving Father; Greek: Παραβολή του Ασώτου Υιού, romanized: Parabolē tou Asōtou Huiou) [1] [2] is one of the parables of Jesus in the Bible, appearing in Luke 15:11–32.
Unanimously featured on Commons (see c:Commons:Featured picture candidates/File:Rembrandt Harmensz van Rijn - Return of the Prodigal Son - Google Art Project.jpg/2). Painting with its own article. Previous nomination ended at 3-0. Articles in which this image appears The Return of the Prodigal Son (Rembrandt) etc FP category for this image
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Original – Rembrandt van Rijn, The Return of the Prodigal Son, c. 1663–1665. 262 cm × 205 cm. Hermitage Museum, Saint Petersburg Reason Notable painting of a notable biblical parable. Beautiful hi-res reproduction made available by Google Art Project. Articles in which this image appears
This image has been assessed under the valued image criteria and is considered the most valued image on Commons within the scope: The Return of the Prodigal Son by Rembrandt, circa 1669, Hermitage Museum. You can see its nomination here.
The latter element is what Hasbro's new Hero Vision Iron Man AR helmet aims to imitate, using a phone to display its own custom HUD so kids can feel like they're really wearing the armored Avenger ...
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