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  2. Just intonation - Wikipedia

    en.wikipedia.org/wiki/Just_intonation

    Just (black) major and parallel minor triad, compared to its equal temperament (gray) approximations, within the chromatic circle. Pythagorean tuning has been attributed to both Pythagoras and Eratosthenes by later writers, but may have been analyzed by other early Greeks or other early cultures as well.

  3. Pythagorean tuning - Wikipedia

    en.wikipedia.org/wiki/Pythagorean_tuning

    Pythagorean tuning is a system of musical tuning in which the frequency ratios of all intervals are determined by choosing a sequence of fifths [2] which are "pure" or perfect, with ratio :. This is chosen because it is the next harmonic of a vibrating string, after the octave (which is the ratio 2 : 1 {\displaystyle 2:1} ), and hence is the ...

  4. Musical temperament - Wikipedia

    en.wikipedia.org/wiki/Musical_temperament

    Pythagorean tuning was a system of just intonation that tuned every note in a scale from a progression of pure perfect fifths. This was quite suitable for much of the harmonic practice until then ( See: Quartal harmony ), but in the Renaissance, musicians wished to make much more use of Tertian harmony .

  5. Musical tuning - Wikipedia

    en.wikipedia.org/wiki/Musical_tuning

    A Pythagorean tuning is technically both a type of just intonation and a zero-comma meantone tuning, in which the frequency ratios of the notes are all derived from the number ratio 3:2. Using this approach for example, the 12 notes of the Western chromatic scale would be tuned to the following ratios: 1:1, 256:243, 9:8, 32:27, 81:64, 4:3, 729: ...

  6. List of pitch intervals - Wikipedia

    en.wikipedia.org/wiki/List_of_pitch_intervals

    Comparison between tunings: Pythagorean, equal-tempered, quarter-comma meantone, and others.For each, the common origin is arbitrarily chosen as C. The degrees are arranged in the order or the cycle of fifths; as in each of these tunings except just intonation all fifths are of the same size, the tunings appear as straight lines, the slope indicating the relative tempering with respect to ...

  7. Meantone temperament - Wikipedia

    en.wikipedia.org/wiki/Meantone_temperament

    For 12 tone equally-tempered tuning, the fifths have to be tempered by considerably less than a ⁠ 1 / 4 ⁠ comma (very close to a ⁠ 1 / 11 ⁠ syntonic comma, or a ⁠ 1 / 12 ⁠ Pythagorean comma), since they must form a perfect cycle, with no gap at the end, whereas ⁠ 1 / 4 ⁠ comma meantone tuning, as mentioned above, has a residual ...

  8. Piano tuning - Wikipedia

    en.wikipedia.org/wiki/Piano_tuning

    A man tuning an upright piano. Piano tuning is the process of adjusting the tension of the strings of an acoustic piano so that the musical intervals between strings are in tune. The meaning of the term 'in tune', in the context of piano tuning, is not simply a particular fixed set of pitches. Fine piano tuning requires an assessment of the ...

  9. Quarter-comma meantone - Wikipedia

    en.wikipedia.org/wiki/Quarter-comma_meantone

    In this system the perfect fifth is flattened by one quarter of a syntonic comma ( 81 : 80 ), with respect to its just intonation used in Pythagorean tuning (frequency ratio 3 : 2 ); the result is ⁠ 3 / 2 ⁠ × [⁠ 80 / 81 ⁠] 1 / 4 = 4 √ 5 ≈ 1.49535, or a fifth of 696.578 cents. (The 12th power of that value is 125, whereas 7 octaves ...