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Stained Glass Quarterly From a longer title : This is a redirect from a title that is a complete, more complete or longer version of the topic's name. It leads to the title in accordance with the naming conventions for common names and can help writing and searches.
Bedeutung, quarterly British publication of philosophy, current affairs, art and literature; The Blue Review, 1911–1913, London-based arts magazine; Blueprint, London-based magazine of architecture and design; BOMB Magazine, quarterly magazine edited by artists and writers, based in New York City, est. 1981
The Stained Glass Association of America (originally The National Ornamental Glass Manufacturers Association) is a trade association formed in 1903 to protect the United States ornamental and stained-glass industry from foreign competition by cheaper European glass imports.
The colored glass is crafted into stained glass windows in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead, called cames or calms, and supported by a rigid frame.
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
Willet Studios was founded in Philadelphia, Pennsylvania in 1898 by the muralist and stained glass artist William Willet and his wife, Anne Lee. In its inception, the studio went by the title of the Willet Stained Glass Company and by 1909, had been incorporated as the Willet Stained Glass and Decorating Company.