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The intaglio printmaking techniques all print images from ink held in the lines or other recesses made by the artist in the printing plate. For each impression, ink is spread over the whole plate, worked well in, and then the flat surface is normally wiped carefully clean to remove all ink except that in the recesses, using a form of squeegee.
The hectograph, gelatin duplicator or jellygraph is a printing process that involves transfer of an original, prepared with special inks, to a pan of gelatin or a gelatin pad pulled tight on a metal frame. [1] While the original use of the technology has diminished, it has recently been revived for use in the art world.
A composition roller is a tool used in letterpress printing to apply ink to a bed of type in a printing press. It consists of a cylinder made of a substance known as "roller composition" or simply "composition", a mixture of hide glue and sugar (in the form of molasses or treacle ), with various additives such as glycerin depending on the ...
A brayer is a hand-tool used historically in printing and printmaking to break up and "rub out" (spread) ink, before it was "beaten" using inking balls or composition rollers. A brayer consists of a short wooden cylinder with a handle fitted to one end; the other, flat end is used to rub the ink. [1]
Printmaking is the making of a work of art by transferring ink from the surface upon which the work was originally drawn or otherwise composed to another surface. The main article for this category is Printmaking .
Viscosity printing is a multi-color printmaking technique that incorporates principles of relief printing and intaglio printing. It was pioneered by Stanley William Hayter . The process uses the principle of viscosity to print multiple colors of ink from a single plate, rather than relying upon multiple plates for color separation .
Waterless printing is an offset lithographic printing process that eliminates the use of water or the dampening system used in conventional printing. [1] Unlike traditional printing presses, waterless offset presses do not use a dampening solution to clear the press of ink . [ 2 ]
Unlike screen printing, digital ceramic printing on glass does not require screens and the files are stored digitally making printing of all sizes and replacement of any panel simple, in high resolution, full color. [3] When using ceramic frit based inks the glass is fired or tempered to fuse the inks with the glass. Due to the extreme ...