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40 chansons d'or is a double-CD by Charles Aznavour, ... Avec; Plus bleu que tes yeux (1989 version) ... Bon anniversaire;
"Storms" is a song by British-American rock band Fleetwood Mac, released in 1979. Composed and sung by vocalist Stevie Nicks, it was one of her five songs that appeared on the Tusk album. The song was also included on the US 2002 and UK 2009 editions of The Very Best of Fleetwood Mac as the final track on disc one. [1]
Les 50 + Belles Chansons: Barclay 3 CD 2013 Les 100 + Belles Chansons: Barclay 5 CD 2014 90e anniversaire: Best of Charles Aznavour: Barclay 4 CD; Reissued partially in 2016 as two vinyls, Barclay. 2014 Discographie Studio Originale, Vol. 1 : 1948-49: Barclay New high-resolution re-mastering of 78 rpm records. 2014
The Very Best of Fleetwood Mac is an enhanced compilation album released by British-American rock band Fleetwood Mac in 2002 to promote their then-upcoming album Say You Will (2003). It was released as a double album in the US on 12 October 2002 and as a single disc in the UK.
"That's Life" is a single by American record producer and rapper 88-Keys featuring vocals by American rapper Mac Miller and Australian singer Sia. It was released on June 20, 2019, by Warner Records . 88-Keys obtained permission from Miller's family to use his contribution posthumously.
"Sara" is a song written by singer-songwriter Stevie Nicks of the British-American rock band Fleetwood Mac, which was released as a single from the 1979 Tusk double LP. The song peaked at No. 7 in the US for three weeks, No. 37 in the UK for two weeks, No. 11 in Australia, and No. 12 in Canada.
The song was first featured on the band's self-titled album Fleetwood Mac (1975). The original recording also appears on the compilation albums 25 Years – The Chain (1992), The Very Best of Fleetwood Mac (2002) and 50 Years – Don't Stop (2018), while a live version was released as a single 23 years later from the live reunion album The ...
Producer Ken Caillat made an eight bar drum loop of Fleetwood's drumming to create "deep hypnotic effect". Caillat said of the loop that "It’s funny, but when people talk about the classic rhythm section of Mick Fleetwood and John McVie and they point to this one song, I’m always amused that they’re talking about a drum loop."