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Aesthetic dress of the 1880s and 1890s carries on many of the external characteristics of Artistic dress (rejection of tightlacing in favour of simplicity of line and emphasis on beautiful fabrics), even though, at its core, Aestheticism rejected the moral and social goals of the Victorian dress reform that was its precursor.
Some credited the change in silhouette to the Victorian dress reform, which consisted of a few movements including the Aesthetic Costume Movement and the Rational Dress Movement in the mid-to-late Victorian Era advocating natural silhouette, lightweight underwear, and rejecting tightlacing. However, these movements did not gain widespread support.
Standing woman in a white dress with leg o'mutton sleeves. By René Schützenberger, 1895.. Fashionable women's clothing styles shed some of the extravagances of previous decades (so that skirts were neither crinolined as in the 1850s, nor protrudingly bustled in back as in the late 1860s and mid-1880s, nor tight as in the late 1870s), but corseting continued unmitigated, or even slightly ...
Princess-line walking dress (left) and hunting costume (right) from La Mode Illustrée, 1880. Summer dresses of 1882 show Aesthetic influence in the small-scale floral prints. The straw hat frames the fashionable frizzled hair. Front and back views of a traveling coat, c. 1880–81
While Western dress was being adopted at the time, she also believed corsets to be restrictive and harmful to women's health. [26] Utako Shimoda had worked as lady-in-waiting to Empress ShÅken from 1871 to 1879. [27] She adapted the clothing worn by ladies-in-waiting at the Japanese imperial court to make a uniform for her Jissen Women's ...
The shimmering, goddess-esque Schiaparelli dress paired with the big, bold, almost aquatic treasure-of-Atlantis diamond Tiffany necklace gives her the allure of a modern mermaid, especially given ...