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Retro style is imitative or consciously derivative of lifestyles, trends, or art forms from the past, including in music, modes, fashions, or attitudes. In popular culture , the " nostalgia cycle" is typically for the two decades that begin 20–30 years ago.
"Outrun" is a synonym of synthwave that was later used to refer more generally to retro 1980s aesthetics such as VHS tracking artefacts, magenta neon, and gridlines. [15] The term comes from the 1986 arcade racing game Out Run , which is known for its soundtrack that could be selected in-game and its 1980s aesthetic.
[7] [8] The song has a minimalistic dance beat, with a "funky, retro 70s style R&B guitar" as the backdrop. [6] Lauren Carter of the Boston Herald said that the song is influenced by Timberlake's disco-funk work on FutureSex/LoveSounds (2006), stating that "it sounds like a reworked version of his bass-heavy dance number "Sexy Ladies."
Funk is a music genre that originated in African-American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African-Americans in the mid-20th century.
The Funky 16 Corners is a compilation of funk songs and instrumentals recorded by little-known performers from across the United States during the late 1960s and the early and mid 1970s. The album, released on Stones Throw Records in 2001, pays homage to these forgotten funk bands and musicians.
"Funkytown" is a song by American disco-funk group Lipps Inc., written and produced by Steven Greenberg and released by Casablanca Records in March 1980 as the second single ...
Alternatively, the name "Funk Brothers" could have been given to the band ex post facto; the term "funky" as an adjective came to be associated with uptempo and backbeat, Southern-styled soul music in the second half of the 1960s; the term "funk" as a noun is typically associated with uptempo soul music from the 1970s onwards.
Gloryhallastoopid (Or Pin the Tale on the Funky) is the eighth album by the American funk band Parliament, released in 1979. [1] It was their penultimate album on the Casablanca Records label, and is another concept album that tries to explain that Funk was responsible for the creation of the universe (see P Funk mythology ).