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Anglo-Saxon runes or Anglo-Frisian runes are runes that were used by the Anglo-Saxons and Medieval Frisians (collectively called Anglo-Frisians) as an alphabet in their native writing system, recording both Old English and Old Frisian (Old English: rūna, ᚱᚢᚾᚪ, "rune").
The Old English Latin alphabet generally consisted of about 24 letters, and was used for writing Old English from the 8th to the 12th centuries. Of these letters, most were directly adopted from the Latin alphabet , two were modified Latin letters ( Æ , Ð ), and two developed from the runic alphabet ( Ƿ , Þ ).
Detail from Zaner's 1896 article: The Line of Direction in Writing [3] A major factor contributing to the development of the Zaner-Bloser teaching script was Zaner's study of the body movements required to create the form of cursive letters when using the 'muscular arm method' of handwriting – such as the Palmer Method – which was prevalent in the United States from the late 19th century.
D'Nealian cursive writing. The D'Nealian Method (sometimes misspelled Denealian) is a style of writing and teaching handwriting script based on Latin script which was developed between 1965 and 1978 by Donald N. Thurber (1927–2020) in Michigan, United States.
Old Roman cursive, also called majuscule cursive and capitalis cursive, was the everyday form of handwriting used for writing letters, by merchants writing business accounts, by schoolchildren learning the Latin alphabet, and even by emperors issuing commands. New Roman, also called minuscule cursive or later cursive, developed from old cursive ...
George Bickham's Round hand script, from The Universal Penman, c. 1740–1741. Round hand (also roundhand) is a type of handwriting and calligraphy originating in England in the 1660s primarily by the writing masters John Ayres and William Banson.
Copperplate script, a style of calligraphic writing most commonly associated with English Roundhand D'Nealian , a style of writing and teaching cursive and manuscript adapted from the Palmer Method Palmer Method , a form of penmanship instruction developed in the late 19th century that replaced Spencerian script as the most popular handwriting ...
English ladies were often taught an "Italian hand", suitable for the occasional writing that they were expected to do. [4] Grace Ioppolo notes [ 2 ] that the convention in writing the texts of dramas was to write act and scene settings, characters' names and stage directions in italic, and the dialogue in secretary hand.