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  2. Glaze (painting technique) - Wikipedia

    en.wikipedia.org/wiki/Glaze_(painting_technique)

    When the technique is used for wall glazing, the entire surface is covered, often showing traces of texture (French brush, parchment, striae, rag rolling). Either oil-based or water-based materials are used for glazing walls, depending upon the desired effect. Kerosene or linseed oil may be used to extend the "open" or working time of oil-based ...

  3. Rag painting - Wikipedia

    en.wikipedia.org/wiki/Rag_painting

    Rag painting or ragging is a form of faux painting using paint thinned out with glaze and old rags to create a lively texture on walls and other surfaces. [1] [2] Example of the ragging design with a stencil. Ragging can be done as a negative or positive technique.

  4. Faux painting - Wikipedia

    en.wikipedia.org/wiki/Faux_painting

    Rag painting or ragging is a glazing technique using twisted or bunched up rags to create a textural pattern. Sponging is a free-form finish achieved by applying glaze to the wall by dabbing a sea sponge, in various shapes to achieve either simple design (resembling the wall papers) and more sophisticated ones.

  5. Sgraffito - Wikipedia

    en.wikipedia.org/wiki/Sgraffito

    Sgraffito on walls has been used in Europe since classical times. It was popularized in Italy in the 15th and 16th centuries [2] and can be found in African art. In combination with ornamental decoration, these techniques formed an alternative to the prevailing painting of walls.

  6. Strié - Wikipedia

    en.wikipedia.org/wiki/Strié

    Strié is a negative glaze technique. The glaze is generally rolled over the entire surface, and then removed with a tool such as a brush. [1] The word strié can be used to describe this process of painting, or to describe the actual finish created. Strié is a simple technique that can be altered and elaborated in many ways.

  7. Fresco - Wikipedia

    en.wikipedia.org/wiki/Fresco

    Fresco (pl. frescos or frescoes) is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall.