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Antigone (/ æ n ˈ t ɪ ɡ ə n i / ann-TIG-ə-nee; Ancient Greek: Ἀντιγόνη) is an Athenian tragedy written by Sophocles in (or before) 441 BC and first performed at the Festival of Dionysus of the same year. It is thought to be the second-oldest surviving play of Sophocles, preceded by Ajax, which was written around the same period.
The story of Antigone has been a popular subject for books, plays, and other works, including: Antigone, one of the three extant Theban plays by Sophocles (497 BC – 406 BC), the most famous adaptation; Antigone, a play by Euripides (c. 480 – 406 BC) which is now lost except for some fragments; Antigone (1631), [9] a play by Thomas May
Antigone was first performed in Paris at the Théâtre de l'Atelier on February 6, 1944, during the Nazi occupation.Produced under Nazi censorship, the play is purposefully ambiguous with regard to the rejection of authority (represented by Antigone) and the acceptance of it (represented by Creon).
Sophocles [a] (c. 497/496 – winter 406/405 BC) [2] was an ancient Greek tragedian known as one of three from whom at least one play has survived in full. His first plays were written later than, or contemporary with, those of Aeschylus and earlier than, or contemporary with, those of Euripides.
[4] Antigone was first performed as a play at the Théâtre de l'Atelier in Paris in 1922 with sets by Picasso, costumes by Coco Chanel, and incidental music by Honegger. [5] Honegger began composing the complete text of the play as a three-act opera in 1924 and completed it in 1927.
Antigone, also known as The Antigone of Sophocles, is an adaptation by the German dramatist Bertolt Brecht of Hölderlin's translation of Sophocles' tragedy.It was first performed at the Chur Stadttheater in Switzerland in 1948, with Brecht's second wife Helene Weigel, in the lead role. [1]
Mendelssohn composed the music quickly. Tieck first mentioned the idea on September 9, 1841, and the first full stage rehearsal was six weeks later. [2] Sophocles' play includes an initial choral ode and five stasima. Mendelssohn added an additional ode at the end, drawing on the final dialogue between the chorus and Creon for the text. [3]
The original title of the play in the ancient Greek is Αἴας. Ajax is the romanized version, and Aias is the English transliteration from the original Greek. [2] Proper nouns in Ancient Greek have conventionally been romanized before entering the English language, but it has been common for translations since the end of the 20th century to use direct English transliterations of the ...