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Resolution in Western tonal music theory is the move of a note or chord from dissonance (an unstable sound) to a consonance (a more final or stable sounding one). Dissonance, resolution, and suspense can be used to create musical interest.
The opposition between consonance and dissonance can be made in different contexts: In acoustics or psychophysiology, the distinction may be objective.In modern times, it usually is based on the perception of harmonic partials of the sounds considered, to such an extent that the distinction really holds only in the case of harmonic sounds (i.e. sounds with harmonic partials).
The hypocrisy paradigm is known for inconsistent cognition resolution through a change in behavior. ... In The Theory of Cognitive Dissonance: A Current Perspective ...
Consonance (or concord) is the quality of an interval or chord that seems stable and complete in itself. Dissonance (or discord) is the opposite in that it feels incomplete and "wants to" resolve to a consonant interval. Dissonant intervals seem to clash. Consonant intervals seem to sound comfortable together.
The move from a dissonance to a consonance constitutes a resolution. In the following example, the C major chord on the left is a preparation which precedes a nonharmonic tone that serves as an anticipation (center, marked in red) to the G major harmony on the right. This harmony resolves the preceding dissonance: Anticipation. Play
A neighbor tone (NT) or auxiliary note (AUX) is a nonchord tone that passes stepwise from a chord tone directly above or below it (which frequently causes the NT to create dissonance with the chord) and resolves to the same chord tone:
How to keep a New Year's resolution with actual solutions that work. So, What Exactly Is the Difference Between a 'Resolution' and a 'Solution'? Skip to main content
Since the perfect 11th (i.e. an octave plus perfect fourth) is typically perceived as a dissonance requiring a resolution to a major or minor 10th, chords that expand to the 11th or beyond typically raise the 11th a semitone (thus giving us an augmented or sharp 11th, or an octave plus a tritone from the root of the chord) and present it in ...