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Cuban musicologist Mayra Martínez wrote that "the term salsa obscured the Cuban base, the music's history or part of its history in Cuba. And salsa was a way to do this so that Jerry Masucci, Fania and other record companies, like CBS, could have a hegemony on the music and keep the Cuban musicians from spreading their music abroad."
In Cuba, a popular dance known as Casino was marketed abroad as Cuban-style salsa or Salsa Cubana to distinguish it from other salsa styles when the name was popularized in the 1970s. Dancing Casino is an expression of popular social culture in Cuba and many Cubans consider casino a part of their social and cultural activities centering on ...
Before this chart's inception, the Latin music information on the magazine was presented only in the form of the biweekly album sales chart Top Latin Albums, which was divided into Latin Pop, Tropical/Salsa, and Region Mexican and continues to be listed separately. [2] During the 1980s, 33 songs topped the chart.
This was the first of Bembe's "Salsa cubana" series, an attempt to market the new Cuban popular music as salsa. For the most part however, acceptance of timba in the salsa market has been limited. In 1997, during the height of timba's popularity, the Buena Vista Social Club released its first CD. In response to that record's international ...
The best Cuban lyrical singer in the 20th century was the operatic tenor Francisco Fernandez Dominicis (Italian name: Francesco Dominici) (1885-1968). The best Cuban female lyrical singer in the 20th century was the mezzo-soprano Marta Perez (1924-2009). She sang at La Scala in Milan, Italy in 1955. [71]
The accolade for Best Salsa Album was first presented to Cuban singer Celia Cruz at the 1st Latin Grammy Awards ceremony in 2000 for her album Celia Cruz and Friends: A Night of Salsa (1999). American singer Marc Anthony and Panamanian singer Rubén Blades hold the record of most wins in the category with four each, followed by Celia Cruz and ...
When the rhythm and music are 'in clave,' a great natural 'swing' is produced, regardless of the tempo. All musicians who write and/or interpret Cuban-based music must be 'clave conscious,' not just the percussionists. [19] Salsa is a potent expression of clave, and clave became a rhythmic symbol of the musical movement, as its popularity spread.
After the Cuban Revolution separated Cuba from the U.S., son, mambo and rumba, along with other forms of Afro-Cuban music contributed to the development of salsa music, initially in New York. [ 36 ] The mass popularization of son music led to an increased valorization of Afro-Cuban street culture and of the artists who created it.