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Michael Maybrick (31 January 1841 – 26 August 1913) [1] was an English composer and singer, best known under his pseudonym Stephen Adams as the composer of "The Holy City", one of the most popular religious songs in English.
[7] [8] [9] As a physical devotion involving standing, kneeling and genuflections, the Stations of the Cross are tied with the Christian themes of repentance and mortification of the flesh. [1] [10] The style, form, and placement of the stations vary widely. The typical stations are small plaques with reliefs or paintings placed around a church ...
The song is mentioned in James Joyce's Ulysses (1922). [5] It gained renewed popularity when it was sung by Jeanette MacDonald in the 1936 hit film San Francisco . [ 6 ] [ 7 ] The melody formed the basis of a Spiritual titled Hosanna , which in turn was the basis for the opening of Duke Ellington 's " Black and Tan Fantasy ".
"Physical" is a song recorded by British-Australian singer Olivia Newton-John for her 1981 eleventh studio album of the same name. It was released as the album's lead single in 1981. The song was produced by John Farrar and written by Steve Kipner and Terry Shaddick, who had originally intended to offer it to Rod Stewart. [3]
The Scriptural Way of the Cross or Scriptural Stations of the Cross is a modern version of the ancient Christian, especially Catholic, devotion called the Stations of the Cross. This version was inaugurated on Good Friday 1991 by Pope John Paul II .
even when my heart breaks. —from BWV 147, chorale movement no. 6 Jesus remains my joy, my heart's consolation and sap, Jesus fends off all suffering, He is my life's strength, my eyes' lust [voluntarism meaning: reason of being] and sun, my soul's treasure and pleasure; Therefore I will not leave Jesus out of heart and sight.
Olivia Newton-John is reflecting on her hit song, "Physical."It's been 40 years since the single took over the airwaves. "Physical" was Newton-John's fifth No 1. single and the most successful ...
"Houses of the Holy" is a song by English rock band Led Zeppelin from their 1975 sixth album Physical Graffiti. The name of the song was used as the title of the band's fifth album, although it was not included on that album; they decided the song did not fit well with the other album material, so it was moved to the subsequent release. [2]