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According to The Book of Lost Tales, the active male Elves of Gondolin, a city in Beleriand in the First Age, belonged to one of the 11 "Houses" or Thlim, plus the bodyguard of Tuor, a Man, which was accounted the twelfth. Each house had a distinct symbol: a mole, a swallow, the heavens, a pillar, a tower of snow, a tree, a golden flower, a ...
J. R. R. Tolkien accompanied his Middle-earth fantasy writings with a wide variety of non-narrative materials, including paintings and drawings, calligraphy, and maps.In his lifetime, some of his artworks were included in his novels The Hobbit and The Lord of the Rings; others were used on the covers of different editions of these books, and later on the cover of The Silmarillion.
Tolkien's illustration of the Doors of Durin for The Fellowship of the Ring, with Sindarin inscription in Tengwar script, both being his inventions. Despite his best efforts, this was the only drawing, other than maps and calligraphy, in the first edition of The Lord of the Rings. [1]
Alan Lee (born 20 August 1947) is an English book illustrator and film conceptual designer.He is best known for his artwork inspired by J. R. R. Tolkien's fantasy novels, and for his work on the concept design of Peter Jackson's film adaptations of Tolkien, The Lord of the Rings and The Hobbit film series.
The Elves of the Light, Tolkien's Calaquendi, are those who successfully complete the journey, while the Elves of the Darkness, the Moriquendi, are those Elves who, for whatever reason, do not arrive in Valinor. [14] [T 11] [15] Diagram of the Sundering of the Elves, showing Tolkien's overlapping classifications. The main division is into ...
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Gondor's border with Rohan is the Ered Nimrais, the White Mountains, which run east–west from the sea to a point near the Anduin; at that point is Gondor's capital city, Minas Tirith. [8] Across the river to the East is the land of Mordor. It is bordered to the north by the Ered Lithui, the Ash Mountains; to the west by the Ephel Duath, the ...
The framework for J. R. R. Tolkien's conception of his Elves, and many points of detail in his portrayal of them, is thought by Haukur Þorgeirsson to have come from the survey of folklore and early modern scholarship about elves (álfar) in Icelandic tradition in the introduction to Íslenzkar þjóðsögur og æfintýri ('Icelandic legends and fairy tales').