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Liebesträume (German for Dreams of Love) is a set of three solo piano nocturnes (S.541/R.211) by Franz Liszt published in 1850. [1] Originally the three Liebesträume were conceived as lieder after poems by Ludwig Uhland and Ferdinand Freiligrath. In 1850 two versions appeared simultaneously as a set of songs for high voice and piano, and as ...
1st version of S.74/2 74/2 M27 Das deutsche Vaterland II (Was ist das deutsche Vaterland?) mch C major 1848 Choral, secular 2nd version of S.74/1 75/1 M12/1 Über allen Gipfeln ist Ruh' (Wanderers Nachtlied) mch 1842 Choral, secular No.3 of Vierstimmige Männergesänge; 1st version of S.75/2, S.75/3 75/2 M12/2
This last point of view is very much resembling Hanslick's opinion. It is therefore not surprising that Liszt and Hanslick were not enemies. Whenever they met they did it with nearly friendly manners. In fact, Hanslick never denied that he considered Liszt as composer of genius. He just did not like some of Liszt's works as music.
He [Liszt] played each note of the melody as if it were a significant poetic word, which effect was heightened in that he used the thumb for each one of these notes, and dropping his hand in a languid manner as he did this.
Printable version; In other projects ... Liebestraum means "love dream", or "dream of love" in German. Liebesträume, for piano by Franz Liszt; Liebestraum , 1991 ...
[7] [failed verification] Liszt kept the étude in his repertoire until his final years. Un sospiro consists of a flowing background superimposed by a simple melody written in the third staff. This third staff—an additional treble staff—is written with the direction to the performer that notes with the stem up are for the right hand and ...
Franz Liszt [n 1] (22 October 1811 – 31 July 1886) was a Hungarian composer, virtuoso pianist, conductor and teacher of the Romantic period.With a diverse body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era, and his piano works continue to be widely performed and recorded.
Liszt in 1843, around the time of the piece's conception. The Fantasy on Themes from Mozart's Figaro and Don Giovanni [1] (German: Fantasie über Themen aus Mozarts Figaro und Don Giovanni), [2] S.697, is an operatic paraphrase for solo piano by Franz Liszt, based on themes from two different Mozart's operas: The Marriage of Figaro, K.492 and Don Giovanni, K.527.