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British women science fiction and fantasy writers (1 C, 100 P) E. English fantasy writers (1 C, 253 P) F. Fantasy writers from Northern Ireland (1 P) S.
C. The Candle in the Wind; The Canticle of Whispers; The Carpet People; Cart and Cwidder; Cast a Bright Shadow; Castaways of the Flying Dutchman; Castle in the Air (novel)
Gillian Bradshaw (born 1956), author of Hawk of May (also writes historical fiction and science fiction novels) Ernest Bramah (1868–1942), author of the Kai Lung stories; Libba Bray (born 1964), author of the Gemma Doyle Trilogy; Marie Brennan, author of Doppelganger; Peter V. Brett (born 1973), author of The Painted Man and The Desert Spear
Rosa Nouchette Carey (1840–1909), children's fiction; Georgiana Cavendish, Duchess of Devonshire (1757–1806) Mark Chadbourn (born 1960), science fiction; Elizabeth Chadwick (born 1957), historical fiction; Somerset de Chair (1911–1995) Aidan Chambers (born 1934), Postcards from No Man's Land; Leslie Charteris (1907–1993), devised "The ...
After she returned from Spain in 1993, Clarke began to think seriously about writing her novel. She signed up for a five-day fantasy and science-fiction writing workshop, co-taught by writers Colin Greenland and Geoff Ryman. The students were expected to prepare a short story before attending, but Clarke only had "bundles" of material for her ...
Linda Anne Chapman [1] (born 15 January 1969 in Liverpool) [2] is a British writer, principally of series for younger children. She is particularly known for her fantasy books about unicorns, mermaids and magic and has co-authored books with Julie Sykes (Unicorn Academy, Mermaid Academy and Forever Homes), Michelle Misra, Lee Weatherly and Steve Cole.
Up to the eighteenth century, almost all narrative fictions, both verse and prose, were fantastic to a greater or lesser degree." [ 6 ] In the introduction to the earlier book, he had distinguished "supernatural horror" and " heroic fantasy " as the other important divisions of fantastic fiction beside science fiction.
Writers of the new types of fiction such as Defoe, Richardson, and Fielding were realistic in style, and many early realistic works were critical of fantastical elements in fiction. [ 26 ] However, in the Elizabethan era in England , fantasy literature became extraordinarily popular and fueled populist and anti-authoritarian sentiment during ...