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"Kisapmata" (Blink) is a song written by Rico Blanco for the Filipino rock band Rivermaya. It was released as the lead single from their second album, Trip, in December 1995.
Rivermaya is a Filipino alternative rock band. Formed in 1994, it is one of the several bands that spearheaded the 1990s Philippine alternative rock explosion.. Rivermaya is currently composed of original members Mark Escueta and Nathan Azarcon.
Himala ('Miracle') is a 1982 Philippine religious drama film directed by Ishmael Bernal and produced by the Experimental Cinema of the Philippines. It stars Nora Aunor as a young woman living in the province who claims to have seen a Marian apparition .
Isang Himala (lit. ' A miracle ' ) is a 2024 Philippine musical drama film co-produced and directed by Pepe Diokno from a script he co-wrote with Ricky Lee . It is based on a 2018 theatrical play of the same name, itself an adaptation of the 1982 film Himala .
Trip is the second studio album by Filipino rock band Rivermaya.It has 13 tracks and was released by BMG Records (Pilipinas) Inc. in 1996. [1] It is the first album to introduce Rico Blanco as the band's full-time guitarist [2] following the departure of Perf de Castro the previous year.
The term "chord chart" can also describe a plain ASCII text, digital representation of a lyric sheet where chord symbols are placed above the syllables of the lyrics where the performer should change chords. [6] Continuing with the Amazing Grace example, a "chords over lyrics" version of the chord chart could be represented as follows:
The ChordPro (also known as Chord) format is a text-based markup language for representing chord charts by describing the position of chords in relation to the song's lyrics. ChordPro also provides markup to denote song sections (e.g., verse, chorus, bridge), song metadata (e.g., title, tempo, key), and generic annotations (i.e., notes to the ...
IV-V-I-vi chord progression in C major: 4: Major I–V–vi–IV: I–V–vi–IV chord progression in C: 4: Major I–IV– ♭ VII–IV: I–IV– ♭ VII–IV. 3: Mix. ii–V–I progression: ii–V–I: 3: Major ii–V–I with tritone substitution (♭ II7 instead of V7) ii– ♭ II –I: 3: Major ii-V-I with ♭ III + as dominant ...