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Max Ernst, The Elephant Celebes, 1921. The word surrealism was first coined in March 1917 by Guillaume Apollinaire. [10] He wrote in a letter to Paul Dermée: "All things considered, I think in fact it is better to adopt surrealism than supernaturalism, which I first used" [Tout bien examiné, je crois en effet qu'il vaut mieux adopter surréalisme que surnaturalisme que j'avais d'abord employé].
During World War II many artists went into exile in the United States; their influence played a decisive role in future styles of art such as abstract expressionism, Neo-Dada and Pop Art [48]. In 1942, Breton and Duchamp, who had emigrated from France, organized the exhibition "First Papers of Surrealism" alongside Sidney Janis in Manhattan [49].
Herein will be included those authors that are mentioned as being art critics or producing art criticism in works of reference, as are encyclopedias, dictionaries or scholarly reviews. According to one authority, art criticism, in a close approximation to the current sociocultural framework of the activity, started in the 18th century CE in ...
Varo, the star of a new Art Institute of Chicago exhibition, created fantastical scenes that explored mystical realms and higher states of consciousness. Why Remedios Varo, one of the ‘three ...
The paranoiac-critical method is a surrealist technique developed by Salvador Dalí in the early 1930s. [1] He employed it in the production of paintings and other artworks, especially those that involved optical illusions and other multiple images. The technique consists of the artist invoking a paranoid state (fear that the self is being ...
Biographer Brad Gooch's "Radiant" reveals how much life and creativity artist Keith Haring packed into 31 years before he died of AIDS.
Art criticism includes a descriptive aspect, [3] where the work of art is sufficiently translated into words so as to allow a case to be made. [2] [3] [7] [11] The evaluation of a work of art that follows the description (or is interspersed with it) depends as much on the artist's output as on the experience of the critic.
Abstract expressionism was seen as rebellious and idiosyncratic, encompassing various artistic styles, and was the first specifically American movement to achieve international influence and put New York City at the center of the Western art world, a role formerly filled by Paris. Contemporary art critics played a significant role in its ...