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The saltarello. Italian folk dance has been an integral part of Italian culture for centuries. Dance has been a continuous thread in Italian life from Dante through the Renaissance, the advent of the tarantella in Southern Italy, and the modern revivals of folk music and dance.
The most important book about pizzica and tarantism is The Land of Remorse, written by the Italian philosopher, anthropologist and historian of religions Ernesto de Martino. [ 1 ] There are several traditional pizzica groups, the oldest being Officina Zoé, Uccio Aloisi gruppu, Canzoniere Grecanico Salentino , and I Tamburellisti di Torrepaduli.
Tarantella (Italian pronunciation: [taranˈtɛlla]) is a group of various southern Italian folk dances originating in the regions of Calabria, Campania, Sicilia and Puglia. It is characterized by a fast upbeat tempo, usually in 6 8 time (sometimes 12 8 or 4 4), accompanied by tambourines. [2]
Originally, the furlana was a courtship dance, performed by a couple. It was introduced to France by André Campra in 1697 (in L'Europe galante) and 1699 (in Le carnaval de Venise, in which the first of two furlanas serves as a dance entry for a troupe of Slavs, Armenians, and Gypsies), and it quickly became a popular theatre and social dance ...
The Italian folk revival was accelerating by 1966, when the Istituto Ernesto de Martino was founded by Gianni Bosio in Milan to document Italian oral culture and traditional music. Today, Italy's folk music is often divided into several spheres of geographic influence, a classification system proposed by Alan Lomax in 1956 and often repeated ...
Monferrina is a lively Italian folk dance in 6 8 time named after the place of its origin, Montferrat, in the Italian region of Piedmont.It has spread from Piedmont throughout Northern Italy, in Lombardy, Emilia-Romagna, Friuli-Venezia Giulia and even into Switzerland.
Pages in category "Italian folk dances" The following 9 pages are in this category, out of 9 total. This list may not reflect recent changes. ...
There are many variant spellings. In Italian or international usage, the name is also rendered as pass'e mez(z)o, passo e mezzo, and passomez(z)o.In early English usage, the names frequently incorporated the word measure in a folk etymology, giving such renderings as passemeasure, passingmeasure, passy-measures or passemeasure(s) pavan, particularly to designate the passamezzo antico progression.