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Anderson started his career by illustrating for other authors, but eventually began developing texts to accompany his realistic and lively black and white drawings. He is best known for his "Billy and Blaze" book series. The adventures of Billy and Blaze revolve around proper care of the horse, while teaching a lesson. Anderson would go to ...
Black Gold (1957) – about the horse Black Gold; Muley-Ears, Nobody's Dog (1959) All About Horses, with drawings by Wesley Dennis and photos (1962) Five O'Clock Charlie (1962) Stormy, Misty's Foal (1963) Portfolio of Horse Paintings, with commentary by Henry (1964) – "Published in 1952 under title: Portfolio of horses." LCCN 64-22279
On White II: Musée National d'Art Moderne, Paris 105 x 98 1923 Composition VIII: Solomon R. Guggenheim Museum, New York 140 x 201 Oil on Canvas 1923 Circles in a Circle: Philadelphia Museum of Art 98.7 x 95.6 1923 Black and Violet: Private collection 77.8 x 100.4 1923 In the Black Square: Solomon R. Guggenheim Museum, New York 97.5 x 93.3 1924
Pegasus is a constellation in the northern sky, named after the winged horse Pegasus in Greek mythology.It was one of the 48 constellations listed by the 2nd-century astronomer Ptolemy, and is one of the 88 constellations recognised today.
White Bird - created seventeen drawings, fourteen of which were autobiographical. [12] Red Lance - created sixteen drawings, six of which are autobiographical, two depict Buffalo Robe, three depict White Horse, and the rest depict other warriors. Red Lance often drew horses in true profile.
The horse appears less frequently in modern art, partly because the horse is no longer significant either as a mode of transportation or as an implement of war. Most modern representations are of famous contemporary horses, artwork associated with horse racing, or artwork associated with the historic cowboy or Native American tradition of the ...
Pen and brown ink with brush and brown wash, with touches of opaque white watercolor, on cream laid paper: 14.3 x 16.8 cm: Museum of Fine Arts, Boston: The drawing is related to the etching B158 : Three Men Being Beheaded: c. 1640: Pen and brown ink, corrected with white; framing lines in pen and brown ink: 15.3 x 22.6 cm: British Museum, London
Rivera used tonal variations in the black and white Zapata to similar effect as he did color in the painted murals he used as its source material. In the lithograph, the lightest areas in Zapata's white clothing and the white body of the horse he leads are sharply delineated against the dark background and the mid tones of the clothing of ...