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Le salon de verre (Glass Salon) designed by Paul Ruaud with furniture by Eileen Gray, for Madame Mathieu-Levy (Juliette Lévy) milliner of the boutique J. Suzanne Talbot, 9, rue de Lota, Paris, 1922 (published in L'Illustration, 27 May 1933) The critical and financial success of the project prompted Gray to open her own shop in 1922.
From 1945 to 1952 he undertook the design and construction of the Unité d'Habitation in Marseilles. The Unité embodied the ideas of the Ville Radieuse that he had developed in Nemours and Algiers. When designing the layout for Brasília, architects Lúcio Costa and Oscar Niemeyer were influenced by the plans for the Ville Radieuse. [7]
Furniture can be a product of design and can be considered a form of decorative art. In addition to furniture's functional role, it can serve a symbolic or religious purpose. It can be made from a vast multitude of materials, including metal , plastic , and wood .
The decorative motifs of Louis XVI style were inspired by antiquity, the Louis XIV style, and nature.Characteristic elements of the style: a torch crossed with a sheath with arrows, imbricated disks, guilloché, double bow-knots, smoking braziers, linear repetitions of small motifs (rosettes, beads, oves), trophy or floral medallions hanging from a knotted ribbon, acanthus leaves, gadrooning ...
Japanese living room design concepts contradicted UK and New Zealand ideals in the way that Japanese culture believed in warming the person, instead of the home. This consisted of owning a portable hibachi for cooking needs rather than heating needs, meanwhile people in the UK and New Zealand used fireplaces to warm the space and not for ...
The Hall-Salon The Villa Cavrois is a masterpiece of modern architecture and a unique example in the North of France. The villa is 60 meters long, it has 3800 m 2 including 1840 m 2 habitables and 830 m 2 of terraces and a garden of 17600 m 2 (originally 5 ha).