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Pablo Picasso, 1910, Girl with a Mandolin (Fanny Tellier), oil on canvas, 100.3 × 73.6 cm, Museum of Modern Art, New York. Cubism is an early-20th-century avant-garde art movement begun in Paris that revolutionized painting and the visual arts, and influenced artistic innovations in music, ballet, literature, and architecture.
Pablo Picasso, 1901, Old Woman (Woman with Gloves), oil on cardboard, 67 x 52.1 cm, Philadelphia Museum of Art Le Gourmet, 1901, National Gallery of Art, Washington, D.C. Pedro Mañach, 1901, National Gallery of Art, Washington, D.C. Pablo Picasso, 1901, Harlequin and his Companion (Les deux saltimbanques), oil on canvas, 73 x 60 cm, Pushkin Museum, Moscow Pablo Picasso, 1901, Portrait de ...
Pablo Ruiz Picasso [a] [b] (25 October 1881 – 8 April 1973) was a Spanish painter, sculptor, printmaker, ceramicist, and theatre designer who spent most of his adult life in France.
Lists of Picasso artworks include: List of Picasso artworks 1889–1900; List of Picasso artworks 1901–1910; List of Picasso artworks 1911–1920; List of Picasso artworks 1921–1930; List of Picasso artworks 1931–1940; List of Picasso artworks 1941–1950; List of Picasso artworks 1951–1960; List of Picasso artworks 1961–1970
Picasso biographer John Richardson recounts in A Life of Picasso, The Cubist Rebel 1907–1916 art dealer Daniel-Henry Kahnweiler's recollection of his first visit to Picasso's studio in July 1907. Kahnweiler remembers seeing "dusty stacks of canvases" in Picasso's studio and "African sculptures of majestic severity".
Pablo Picasso, 1913–14, Woman in a Chemise in an Armchair, Femme en chemise assise dans un fauteuil (Eva), oil on canvas, 149.9 x 99.4 cm, Leonard A. Lauder Cubist Collection, Metropolitan Museum of Art
Picasso's artwork continuously changed in style over the course of his lifetime, inspired by personal relationships and the work of other artists. Portrait of Ambroise Vollard displays an important period in the evolution of Picasso's artwork, known as Analytic Cubism. Picasso said of this phase, "A picture used to be a sum of additions.
Picasso worked on both versions simultaneously. At the same time, he also painted Three Women at the Spring. According to old photos, the Philadelphia version originally only had the Pierrot and Harlequin but Picasso later added the monk. At the end of summer 1921, the canvases were untacked from the garage walls, rolled up, and transported.