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L'Orfeo (SV 318) (Italian pronunciation: [lorˈfɛːo]), or La favola d'Orfeo [la ˈfaːvola dorˈfɛːo], is a late Renaissance/early Baroque favola in musica, or opera, by Claudio Monteverdi, with a libretto by Alessandro Striggio.
While Monteverdi's own impressions of the work are unknown, the duke realised the potential of this new art form and sought to gain prestige from the patronage of it. [4] Therefore, he commissioned Monteverdi in late 1606 for a work which is now considered as the "birth of Western Opera", [5] L'Orfeo, on a libretto by Alessandro Striggio the ...
Front cover of the 1609 published score of L'Orfeo. The early baroque opera L'Orfeo, composed by Claudio Monteverdi to a libretto by Alessandro Striggio the Younger, was first performed in 1607. It is Monteverdi's first opera, and one of the earliest in the new genre.
1607 L'Orfeo (Claudio Monteverdi). Widely regarded as the first operatic masterwork. [2] 1640 Il ritorno d'Ulisse in patria (Monteverdi). Monteverdi's first opera for Venice, based on Homer's Odyssey, displays the composer's mastery of portrayal of genuine individuals as opposed to stereotypes. [3] 1642 L'incoronazione di Poppea (Monteverdi ...
L'Orfeo (SV 318), sometimes called L'Orfeo, favola in musica, is an early Baroque opera by Claudio Monteverdi, with a text by Alessandro Striggio.It is based on the Greek legend of Orpheus, and tells the story of his descent to Hades and his fruitless attempt to bring his dead bride Eurydice back to the living world.
In 1606 Vincenzo's heir Francesco commissioned from Monteverdi the opera L'Orfeo, to a libretto by Alessandro Striggio, for the Carnival season of 1607. It was given two performances in February and March 1607; the singers included, in the title role, Rasi, who had sung in the first performance of Euridice witnessed by Vincenzo in 1600.
The House of Gonzaga of Mantua then commissioned the famous madrigal composer Claudio Monteverdi to write an opera: La favola d'Orfeo in 1607, with libretto by Alessandro Striggio, an ambitious work composed for orchestra of forty-three instruments —including two organs— [21] with prologue and five acts.
"Possente spirto, e formidabil nume" ("Mighty spirit and formidable god") is a key aria [1] from Act 3 of Claudio Monteverdi's opera L'Orfeo, where Orpheus attempts to persuade Charon to allow him to pass into Hades and find Euridice.