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The Missa in honorem Beatissimae Virginis Mariae (Hob. XXII:4) in E ♭ major was written by Joseph Haydn for performance in Esterhaza in 1770. It was part of Haydn's duties to compose musical masses. It contains smaller organ obliggato, in contrast to the Kleine Organ Mass, or Missa brevis Sancti Joannis de Deo. It is known as the Gross ...
The genitive, Beatae Mariae Virginis (BMV), occurs often as well, appearing with such words as horae (hours), litaniae and officium (office). beatae memoriae: of blessed memory: See in memoriam: beati pauperes spiritu: blessed in spirit [are] the poor.
French - Leaf from Book of Hours - about 1460, Walters Art Museum. The Little Office probably originated as a monastic devotion around the middle of the eighth century. Peter the Deacon reports that at the Benedictine Monastery of Monte Cassino there was, in addition to the Divine Office, another office "which it is customary to perform in honour of the Holy Mother of God, which Zachary the ...
Pope Pius V by Motu Proprio of 20 March 1571, published 5 April, had suppressed all existing offices of the Virgin Mary, disapproving in general all the prayers therein, and substituting a new Officium B. Virginis without those prayers and consequently without any litany. It would seem that this action on the part of the pope led the clergy of ...
Besides the above-mentioned Vespers, Joseph Haydn wrote several Marian compositions including two famous Marian Masses, the Missa Cellensis in honorem Beatissimae Virginis Mariae, No. 5 in E flat major, also known as the Grosse Orgelmesse (Great Organ Mass) (H. 22/4) (1766) and the Missa Cellensis in honorem Beatissimae Virginis Mariae No. 3 in ...
Horae Beatae Mariae Virginis is a thumb-sized miniature prayer book for lay people, written in Latin in the late 15th or early 16th century. [1] The manuscript belonged to the library of the Zamoyski family. [1] After World War II the family library was donated to the National Library of Poland, to which the manuscript belongs to now. [1]
It was designated for the Friday after the third Sunday after Easter and had the title: Commemoratio angustiae et doloris B. Mariae V. Its object was the sorrow of Mary during the Crucifixion and Death of Christ. Before the sixteenth century this feast was limited to the dioceses of North Germany, Scandinavia, and Scotland. [6]
The Magnificat, in Latin also canticum Beat(issim)ae Virginis Mariae (the song of the (most) Blessed Virgin Mary), is a common part of Christian worship, for instance traditionally included in vespers, evensong or matins. [1] [2] As such it is often sung and was set to music by various composers.