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Who's Afraid of Aunt Jemima? is a quilt work made with acrylic paint and consists of 56 square panels, bordered by patterned fabric. [1] 28 panels contain paintings of people, 18 panels contain designs of patterned fabric, and 10 panels contain text, including the center panel which contains the title of the work.
The quilt had been stitched both by hand and by machine, and contained a border, as well as designs and intersecting lines outlining the panels. Each of the eleven panels of the quilt displayed a scene from the Bible, hence the name of the quilt. One panel contained a depiction of Adam and Eve in the Garden of Eden. The second, Eve and one of ...
Borders from the top:rice stalk, scorpion, pea, eye, wavy or bent, amulet From the top: shamuk taga, eye border, wrench border, miscellenious borders, wave border, diamond border. Most nakshi kanthas have some form of border. Either a sari border is stitched on, or a border pattern is embroidered around the kantha.
The latest dated panel is 28 December 1903, but it is not known in what order the individual patches were worked. The scalloped edge is a series of floral shapes, finely stitched and added as a border on the completion of the front of the quilt, probably after the flannelette backing had been added.
Broderie perse quilts were popular during this time and the majority of pierced or appliqued quilts made during the 1770–1800 period were medallion-style quilts (quilts with a central ornamental panel and one or more borders). [6] Patchwork quilting in America dates to the 1770s, the decade the United States gained its independence from England.
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The highly textured stitched drawing consists of 12 square, tri-layered, quilted, and stitched textile panels, arranged in a grid pattern, displayed 4 across and 3 down. The overall artwork, which measures 54"x70", is made of silk fabric, quilted cotton batting and colored threads, to visually demonstrate the impact of the fire by replicating ...
Morris and his workshop began making embroideries for the households of his friends as well as larger panels for some of the many new churches being constructed in England. In these designs, Morris created the decorative elements, while his friend Edward Burne-Jones drew the figures, and a team of embroiderers manufactured the work by hand.