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Étude Op. 25, No. 11 in A minor, often referred to as Winter Wind in English, is a solo piano technical study composed by Frédéric Chopin in 1836. It was first published together with all études of Opus 25 in 1837, in France, Germany, and England.
Étude Op. 25, No. 12 in C minor is one of Frédéric Chopin's formal studies for the piano, opus 25, dedicated À Madame la Comtesse d'Agoult. It was first published in 1837 in French, German, and English.
Schenkerian analysis is a method of analyzing tonal music based on the theories of Heinrich Schenker (1868–1935). The goal is to demonstrate the organic coherence of the work by showing how the "foreground" (all notes in the score) relates to an abstracted deep structure , the Ursatz .
Étude Op. 25, No. 6, in G-sharp minor, is a technical study composed by Frédéric Chopin focusing on thirds, trilling them at a high speed.Also called the Double Thirds Étude, it is considered one of the hardest of Chopin's 24 Études, ranking the highest level of difficulty according to the Henle difficulty rankings.
In music, particularly Schenkerian analysis, a linear progression (Auskomponierungszug or Zug, abbreviated: Zg.) is a passing note elaboration involving stepwise melodic motion in one direction between two harmonic tones. [2] "The compositional unfolding of a specific interval, one of the intervals of the chord of nature."
In Schenkerian analysis, the fundamental structure (German: Ursatz) describes the structure of a tonal work as it occurs at the most remote (or "background") level and in the most abstract form. A basic elaboration of the tonic triad, it consists of the fundamental line accompanied by the bass arpeggiation.
The effect of the harmonic progression of this middle section is described thus by Leichtentritt: "A magnificent transition from E ♭ minor (bar 16) to the mildly shining E major (bar 21) [Chopin has changed the key signature here]; the exciting chains of sequences with their cross-relations (bars 29–32); the wonderfully sonorous decline to ...
The Prelude Op. 28, No. 20, in C minor by Frédéric Chopin has been dubbed the "Funeral March" by Hans von Bülow but is commonly known as the "Chord Prelude" due to its slow progression of quarter note chords. [1] It was written between 1831 and 1839. [2] The prelude was originally written in two sections of four measures, ending at m. 9.