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Rough turning is an inexact science: turning wood too thick will lead to splits, and turning wood too thin will lead to distortion that cannot be removed because not enough thickness is left. Once dry, it is mounted on the lathe a second time and turned to its final form. Rough turning is typically used on most functional work and some art pieces.
Segmented turning, also known as polychromatic turning, is a form of woodturning on a lathe where the initial workpiece is composed of multiple parts glued together. The process involves gluing several pieces of wood to create patterns and visual effects in turned projects.
"An indescribable surface that begs for a caress of the hand--that's what I think wood should provide." [ 3 ] Raffan is known for using native Australian woods, for the architectural influences in his turned objects, and for his groupings of related objects into sets (e.g. his "Citadel" and "Tower" series of boxes, etc.)
Both his grandfather, George William Lailey (1782–1871) [1] and his father William (1847–1912) were also bowl-turners, specialising in the production of bowls and plates from elm wood using a pole lathe. [2] George Lailey was particularly noted for his exceptional skill of turning bowls in a 'nest', one inside another. [3]
Insert—The fireplace insert is a device inserted into an existing masonry or prefabricated wood fireplace. [22] Jamb—The side of a fireplace opening. [21] Mantel—Either the shelf above a fireplace or the structure to support masonry above a fireplace [23] Smoke shelf—A shelf below the smoke chamber and behind the damper.
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The figure present on the wood should always be taken into consideration when the artist is planning their woodburned design. Texture: There is a texture on the surface of that wood that feels either coarse or fine, even or uneven. Woodburners typically avoid using very fine or intricate designs on uneven, coarse-textured wood.
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