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The Bathers (French: Les Grandes Baigneuses) is an oil painting by French artist Paul Cézanne (1839–1906) first exhibited in 1906. The painting, which is exhibited in the Philadelphia Museum of Art, is the largest of a series of Bather paintings by Cézanne; the others are in the Museum of Modern Art in New York City, National Gallery, London, the Barnes Foundation, Pennsylvania, and the ...
Tony Smith, Free Ride, 1962, 6'8 × 6'8 × 6'8, Museum of Modern Art (New York City). Minimalism describes movements in various forms of art and design, especially Visual art and music, where the work is set out to expose the essence, essentials or identity of a subject through eliminating all non-essential forms, features or concepts.
Farmhouse Among Trees: September 1883 Museum of John Paul II Collection, Warsaw: The Hague Oil on canvas on panel 28.5 x 39.5 cm F 18 JH 397 Two Women in the Moor: October 1883 Van Gogh Museum, Amsterdam Nieuw-Amsterdam 27.8 x 36.5 cm F 19 JH 409 Landscape with a Church at Twilight: October 1883 Private collection Drenthe: Oil on cardboard on ...
Christina's World is a 1948 painting by American painter Andrew Wyeth and one of the best-known American paintings of the mid-20th century. It is a tempera work done in a realist style, depicting a woman in an incline position on the ground in a treeless, mostly tawny field, looking up at a gray house on the horizon, a barn, and various other small outbuildings are adjacent to the house. [1]
The List of painters in the National Gallery of Art is a list of the named artists in the National Gallery of Art, Washington, D.C. whose works there comprise oil paintings, gouaches, tempera paintings, and pastels. The online collection contains roughly 4,000 paintings by 1,000 artists, but only named painters with the previously mentioned ...
Although modern sculpture and architecture are reckoned to have emerged at the end of the 19th century, the beginnings of modern painting can be located earlier. [13] Francisco Goya is considered by many as the Father of Modern Painting without being a Modernist himself, a fact of art history that later painters associated with Modernism as a ...
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