Ads
related to: marshall vs fender tube amps
Search results
Results From The WOW.Com Content Network
Clapton asked Jim Marshall to produce a combo amplifier with tremolo, which would fit in the boot of his car, and one of the most famous Marshall amps was born, the "Bluesbreaker" amp. [6] This is the amplifier, in tandem with his 1960 Gibson Les Paul Standard (the "Beano"), that gave Clapton that famous tone on the John Mayall & the ...
Fender amplifiers would become favorites of guitarists like Jimi Hendrix, Eric Clapton, and Stevie Ray Vaughan, also known in these cases for playing Fender guitars. Fender amps have come in many configurations and styles. The early K&F and Fender amplifiers relied upon vacuum tube circuitry, with solid-state models appearing in the late 1960s ...
The Marshall JTM45 amplifier is the first guitar amplifier produced by the British company Marshall. It was initially produced in 1963, and has been ranked among the most desirable of the company's amplifiers. [1] Notable musicians who have used this amplifier include David Gilmour, [2] The Rolling Stones, [2] and Jimi Hendrix, [3] among others.
During 1952, the Fender 5B6 Bassman amplifier was introduced as a combo amplifier cabinet that included the amplifier chassis combined with one 15" speaker. The 1952–1954 [1] 5B6 Bassman amplifiers had two 6SC7 or 6SL7GT pre-amp tubes, two 5881 power tubes and a single 5U4G rectifier tube. It was designed to generate 26 watts at an 8-ohm ...
Tube amps are more fragile, require more maintenance, and are usually more expensive than solid-state amps. Tube amplifiers produce more heat than solid-state amplifiers, but few manufacturers of these units include cooling fans in the chassis. While tube amplifiers do need to attain a proper operating temperature, if the temperature goes above ...
The Marshall Bluesbreaker is the popular name given to the Models 1961 and 1962 guitar amplifiers made by Marshall from 1964/65 to 1972. The Bluesbreaker, which derives its nickname from being used by Eric Clapton with John Mayall & The Bluesbreakers , is credited with delivering "the sound that launched British blues -rock in the mid-1960s."