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Kokopelli (/ ˌkoʊkoʊˈpɛliː / [1]) is a fertility deity, usually depicted as a humpbacked flute player (often with feathers or antenna -like protrusions on his head), who is venerated by some Native American cultures in the Southwestern United States. Like most fertility deities, Kokopelli presides over both childbirth and agriculture.
The Indian Arts and Crafts Act of 1990 defines "Native American" as being enrolled in either federally recognized tribes or state recognized tribes or "an individual certified as an Indian artisan by an Indian Tribe." [1] This does not include non-Native American artists using Native American themes. Additions to the list need to reference a ...
Dat So La Lee met her future art dealers Amy and Abram Cohn around 1895. She was most likely hired by the couple as a laundress. [1] [7] They recognized the quality of Dat So La Lee's weaving and, wanting to enter the curio trade in Native American art, decided to promote and sell her basketry.
The RCA Indian-head test pattern. The Indian-head test pattern is a test card that gained widespread adoption during the black-and-white television broadcasting era as an aid in the calibration of television equipment. It features a drawing of a Native American wearing a headdress surrounded by numerous graphic elements designed to test ...
Lee Marmon (Laguna Pueblo), next to his most famous photograph, "White Man's Moccasins". Photography by indigenous peoples of the Americas is an art form that began in the late 19th century and has expanded in the 21st century, including digital photography, underwater photography, and a wide range of alternative processes.
Native American remains were on display in museums up until the 1960s. [128] Though many did not yet view Native American art as a part of the mainstream as of the year 1992, there has since then been a great increase in volume and quality of both Native art and artists, as well as exhibitions and venues, and individual curators.