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List of compilation albums, with selected chart positions and certifications; Title Album details Peak chart positions Certifications AUS [1] Greatest Hits: Released: 12 September 2005; Label: Universal Music (9873332) Formats: CD, LP; 5 ARIA: Gold [4] B-Sides Collection: Released: 16 February 2017; Label: Universal Music; Formats: Digital ...
Spiderbait is the seventh studio album by Australian rock band Spiderbait. ... CD, LP, Digital Download Mercury: 3758200 References This page was last edited on ...
The album title refers to a then-unfinished project by the Finley community, [2] an artificially-made lake included a replica sailing ship. [14] Spiderbait played to predominantly under-18 audiences. [4] At the ARIA Music Awards of 1996, the album received two nominations: 'Best Alternative Release', and 'Best Cover Art' for English and George ...
Tonight Alright is the sixth studio album by Australian alternative rock band Spiderbait, released on 28 March 2004 through Universal Music Australia. It was primarily recorded in Weed, California, by producer Sylvia Massy. It peaked at number 14 on the ARIA Albums Chart and was certified gold.
In May 2024, Spiderbait announced a national tour celebrating 20 years of their version of "Black Betty", alongside their 2004 album Tonight Alright. Track listing [ edit ]
Shashavaglava is the debut studio album by Australian rock band Spiderbait. "Shashavaglava" (Serbo-Croatian: шашава глава, romanized: šašava glava) means "crazyhead" or "dickhead" in Serbo-Croatian. [3] The final seven tracks are incorporated from an earlier EP, P'tang Yang Kipper Bang Uh!.
Greatest Hits is a greatest hits album by Australian rock band Spiderbait. The band decided to put out the compilation after discovering newer fans had not been aware of Spiderbait before "Black Betty". "We'd talk to these excited kids who didn't know our previous albums," recalls Kram. "It was like Tonight Alright was our debut album in some ...
Grand Slam is the fourth studio album by Australian rock band Spiderbait. The album marked a significant change in sound for the band, with many of the songs being heavily produced pop sung by bassist Janet English. The remainder of the album is a mix of alternative rock (sung, as on previous albums, by drummer Kram) and electronica.