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Abstraction, Porch Shadows (1916) by Paul Strand. Abstraction, Porch Shadows, also known as Abstraction, Porch Shadows, Twin Lakes, Connecticut, is a black and white photograph taken by Paul Strand in 1916. It is one of the best known photographs of his early phase, and shows the influence of cubism and abstractionism.
Paul Delvaux (French:; 23 September 1897 – 20 July 1994) was a Belgian painter noted for his dream-like scenes of women, classical architecture, trains and train stations, and skeletons, often in combination.
Interior of a Gothic Church is an oil on panel painting by Paul Vredeman de Vries. [1] The painting was completed in 1595 and is currently on display at the Memorial Art Gallery in Rochester, New York. [1] Interior of a Gothic Cathedral by Paul Vredeman de Vries, 1612, Oil on wood, from the Los Angeles County Museum of Art [2]
According to the fan site KISS Timeline, Stanley’s first public show as the Bandit was on New Year’s Eve 1973, and the second was at a Casablanca Records-hosted industry event at the Fillmore ...
He trained with his father who was as a painter interested in perspective and therefore painted mainly architectural paintings. He is known to have collaborated with his father in the completion of large assignments. He worked from 1592 to 1595 in Danzig where his father was employed in the design of defensive works. [2]
Paul Lamar Collins (born December 11, 1934 [1]) is an American realist painter. Collins is known for his skillful use of textures, light, and attention to detail. Collins is known for his skillful use of textures, light, and attention to detail.
The Basket of Apples is an oil-on-canvas painting that depicts a table holding a bottle and a basket full of apples. The canvas measures 65 cm x 80 cm and is signed "P. Cézanne" at the lower left. [2] The painting is noted for its disjointed perspective. It has been described as a balanced composition due to its unbalanced parts; the tilted ...
Illusionistic ceiling painting, which includes the techniques of perspective di sotto in sù and quadratura, is the tradition in Renaissance, Baroque and Rococo art in which trompe-l'œil, perspective tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space on an otherwise two ...