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The sociology of film deals with the sociological analysis of film. [1] According to a university class in it, the field includes "Contemporary cinema as a culture clue to social change; an introduction to the social forces involved in film-making in the United States and other cultures; the influence of films on mass and select audiences."
From multimedia learning (MML) theory, David Roberts has developed a large group lecture practice using PowerPoint based on the use of full-slide images in conjunction with a reduction of visible text (all text can be placed in the notes view' section of PowerPoint). [14] The method has been applied and evaluated in 9 disciplines.
Aldous Huxley is regarded as one of the most prominent explorers of visual communication and sight-related theories. [12] Becoming near-blind in his teen years as the result of an illness influenced his approach, and his work includes important novels on the dehumanizing aspects of scientific progress, most famously Brave New World and The Art of Seeing.
A key argument of transnational cinema is the necessity for a redefinition, or even refutation, of the concept of a national cinema.National identity has been posited as an 'imaginary community' that in reality is formed of many separate and fragmented communities defined more by social class, economic class, sexuality, gender, generation, religion, ethnicity, political belief and fashion ...
Various types of audiovisual materials range from film strips, microforms, slides, projected opaque materials, tape recordings, and flashcards. In the current digital world, audiovisual aids have grown exponentially with multimedia such as educational DVDs, PowerPoint, television educational series, YouTube, and other online materials.
Film analysis is the process by which a film is analyzed in terms of mise-en-scène, cinematography, sound, and editing. One way of analyzing films is by shot-by-shot analysis, though that is typically used only for small clips or scenes. Film analysis is closely connected to film theory. Authors suggest various approaches to film analysis.
Deleuze writes on the multitude of movement-images that "[a] film is never made up of a single kind of image […] Nevertheless a film, at least in its most simple characteristics, always has one type of image which is dominant […] a point of view on the whole of the film […] itself a 'reading' of the whole film". [54]
A slide show in Germany. A slide show, or slideshow, is a presentation of a series of still images on a projection screen or electronic display device, typically in a prearranged sequence. The changes may be automatic and at regular intervals or they may be manually controlled by a presenter or the viewer.