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Turandot premiered at the La Scala opera house in Milan, Italy, on 25 April 1926, a year and five months after Puccini's death. Rosa Raisa played Turandot. Tenors Miguel Fleta and Franco Lo Giudice alternated in the role of Prince Calaf, with Fleta singing the role on opening night. It was conducted by Arturo Toscanini.
" Nessun dorma" (Italian: [nesˌsun ˈdɔrma]; English: "Let no one sleep") [1] is an aria from the final act of Italian composer Giacomo Puccini's opera Turandot (text by Giuseppe Adami and Renato Simoni) and one of the best-known tenor arias in all opera.
Turandot (BV 273) is a 1917 opera with spoken dialogue and in two acts by Ferruccio Busoni. Busoni prepared his own libretto, in German, based on the play of the same name by Count Carlo Gozzi . The music for Busoni's opera is based on the incidental music , and the associated Turandot Suite ( BV 248 ), which Busoni had written in 1905 for a ...
This is a partial discography of Turandot, an opera by Giacomo Puccini.The "prima" was held at the Teatro alla Scala in Milan on 25 April 1926, conducted by Arturo Toscanini with spanish tenor Miguel Fleta as Calaf "the unknown Prince" and polish soprano Rosa Raisa as the cold Princess Turandot.
Rosa Raisa (23 May 1893 – 28 September 1963) was a Polish-born and Italian-trained Russian and Jewish operatic dramatic soprano who became a naturalized American. [1] [2] She possessed a voice of remarkable power and was the creator of the title role of Puccini's last opera, Turandot, at La Scala, Milan.
Jane Eaglen (born 4 April 1960) is an English dramatic soprano particularly known for her interpretations of the works of Richard Wagner and the title roles in Bellini's Norma and Puccini's Turandot. Her career at the Metropolitan Opera started with her Brunhilde in the Ring Cycle.
"Signore, ascolta!" ("My lord, listen!") is a soprano aria in act one of the opera Turandot by Giacomo Puccini.The Italian lyrics were written by Giuseppe Adami and Renato Simoni.
Marton first sang the title role of Puccini's last opera Turandot at the Vienna State Opera in 1983. It became a role with which she has been closely identified. Since 1983, she has performed the role over a hundred times including at the Metropolitan Opera, La Scala, Arena di Verona, San Francisco Opera, Lyric Opera of Chicago, Washington Opera, Opera Company of Boston under Sarah Caldwell ...