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Antonio da Correggio, The Betrayal of Christ, with a soldier in pursuit of Mark the Evangelist, c. 1522. The naked fugitive (or naked runaway or naked youth) is an unidentified figure mentioned briefly in the Gospel of Mark, immediately after the arrest of Jesus in the Garden of Gethsemane and the fleeing of all his disciples:
Jesus and the woman taken in adultery (or the Pericope Adulterae) [a] is considered by many to be a pseudepigraphical [1] [2]: 489 passage found in John 7:53–8:11 [3] of the New Testament. In the passage, Jesus was teaching in the Temple after coming from the Mount of Olives.
The in-depth account about Jesus and the Samaritan Woman at the Well is highly significant for understanding Jesus in several relationships: Samaritans, women, and sinners. By talking openly with this woman, Jesus crossed a number of barriers which normally would have separated a Jewish teacher from such a person as this woman of Samaria.
It is a free interpretation of the episode of the Gospel of John, when Jesus saved a woman taken in adultery from those who wanted to stone her. Jesus appears at the center of the composition, having the adulteress, wearing a red veil with eyes closed and breasts visible, with her hands folded, begging for mercy, at his feet.
[46] [52] The woman depicted on the steps of the temple is the widow from the Gospels, whom Jesus described as "more beautiful than marvellous slabs of marble". [ 46 ] [ 53 ] The man on the right side of the painting is Simon of Cyrene , who is to carry the cross for Christ's crucifixion to Golgotha in the future.
Jesus and the woman taken in adultery is a biblical episode from John 8:1–8:20 where Jesus encounters an adulteress brought before Pharisees and scribes, which has been depicted by many artists. Such a crime was punishable by death by stoning ; however, in the scene, Jesus stoops to write (in Dutch) he that is without sin among you, let him ...
Jesus replied, "He that is without sin among you, let him first cast a stone at her" (John 8:3–7). Rembrandt made Jesus appear taller than the other figures and more brightly lit. In contrast, the Jews are "in the dark" and appear lower. Symbolically, Jesus's height represents his moral superiority over those who attempted to trick him.
Jesus seems to encourage this confusion by addressing her as woman and asking questions to which he already knows the answer. Why he does this is still something of a mystery, though some ideas have been proposed. The suspense of Mary interacting with Jesus while not knowing his true identity does add considerable extra drama to the scene.