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The Nashville Number System is a method of transcribing music by denoting the scale degree on which a chord is built. It was developed by Neal Matthews Jr. in the late 1950s as a simplified system for the Jordanaires to use in the studio and further developed by Charlie McCoy. [1]
Nashville notation or Nashville Number System [2] is a method of notating chord changes using numbers based on scale degrees, in lieu of chord names. For example, in the key of C-Major, the chord D-minor-seventh can be written as 2− 7, 2m 7, or ii 7.
Matthews and the group also toured extensively around the world and recorded a number of their own albums, winning a Grammy Award for Best Southern, Country, or Bluegrass Album. Matthews died of a heart attack at age 70 and was interred in the Woodlawn Memorial Park in Nashville. He was survived by his wife (Charlsie Stewart Matthews), two ...
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The convention is that using an odd number (7, 9, 11, or 13) implies that all the other lower odd numbers are also included. Thus C 13 implies that 3, 5, 7, 9, and 11 are also there. Using an even number such as 6, implies that only that one extra note has been added to the base triad e.g. 1, 3, 5, 6.
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