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"Always Be My Baby" is a song by American singer-songwriter Mariah Carey from her fifth studio album, Daydream (1995). Written by Carey, Jermaine Dupri and Manuel Seal, and produced by Carey and Dupri, It was released by Columbia Records on February 20, 1996, as the album's third single in the United States and fourth single internationally.
"You'll Always Be My Baby" is a song co-written and recorded by American country music artist Sara Evans. It was released in September 5, 2006 as the fourth and final single from her 2005 album Real Fine Place. The song peaked at number 13 on the US Billboard Hot Country Songs chart. The song is also included on Evans' 2007 Greatest Hits album.
Pet Sounds is the eleventh studio album by the American rock band the Beach Boys, released on May 16, 1966, by Capitol Records.It was initially met with a lukewarm critical response in the United States, although it peaked at number 10 on the Billboard Top LPs chart.
Despite her occasional aggravation caused by her son's behavior at 2 years old, 9 years old, and as a teenager, the mother nonetheless visits his bedroom nightly to cradle him in her arms, and sing a brief lullaby promising to always love him: I'll love you forever. I'll like you for always. As long as I'm living. My baby you'll be
The destination of a chord progression is known as a cadence, or two chords that signify the end or prolongation of a musical phrase. The most conclusive and resolving cadences return to the tonic or I chord; following the circle of fifths , the most suitable chord to precede the I chord is a V chord.
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
Baroque opera arias and a considerable number of baroque sacred music arias was dominated by the Da capo aria which were in the ABA form. A frequent model of the form began with a long A section in a major key, a short B section in a relative minor key mildly developing the thematic material of the A section and then a repetition of the A section. [4]
For instance, if a guitar is tuned to regular concert pitch, with the open strings being E, A, D, G, B, E (from low to high), open chords must be based on one or more of these notes. To play an F ♯ chord the guitarist may barre strings so that the chord root is F ♯ .