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A multi-course harp is a harp with more than one row of strings, as opposed to the more common "single course" harp. On a double-harp, the two rows generally run parallel to each other, one on either side of the neck, and are usually both diatonic (sometimes with levers) with identical notes.
The general name for these was the psalterion. [10] Ancient vase paintings often depict – almost always in the hands of women – various types of harps. Names found in written sources include pektis, trigonos, magadis, sambuca, epigonion. These names could denote instruments of this type. Unlike the lyres, the harp was rarely used in Greece.
Epigonion Greek harp, circa 430 B.C. This style of harp is not named in artworks and has also been called trigonon by modern researchers. The epigonion (Greek: ἐπιγόνιον) was an ancient stringed instrument, possibly a Greek harp mentioned in Athenaeus (183 AD), probably a psaltery.
This version has the harp with a woman's head and breasts, as well as the arms of the House of Hanover at the centre, dating it to 1816–1837. The design of the harp used by the modern Irish state is based on the Brian Boru harp, a late-medieval Gaelic harp now in Trinity College Dublin. [note 1] The design is by an English sculptor, Percy ...
Kinnor (Hebrew: כִּנּוֹר kīnnōr) is an ancient Israelite musical instrument in the yoke lutes family, the first one to be mentioned in the Hebrew Bible.. Its exact identification is unclear, but in the modern day it is generally translated as "harp" or "lyre", [2]: 440 and associated with a type of lyre depicted in Israelite imagery, particularly the Bar Kokhba coins.
Thomas Connellan - (c. 1640 – 1698) - Irish harper and composer whose "Molly St. George" is one of the earliest Irish harp songs with extant lyrics; brother of William Connellan; William Connellan - 17th century Irish harper and composer; brother of Thomas Connellan; Cécile Corbel - (born 1980) - Breton recording artist and composer
One of two known Phoenician Harpocrates statues. Harpocrates (Ancient Greek: Ἁρποκράτης, Phoenician: 𐤇𐤓𐤐𐤊𐤓𐤈, [1] romanized: ḥrpkrṭ, Coptic: ϩⲁⲣⲡⲟⲕⲣⲁⲧⲏⲥ harpokratēs) is the god of silence, secrets and confidentiality in the Hellenistic religion developed in Ptolemaic Alexandria (and also an embodiment of hope, according to Plutarch).
The Greeks translated the name as nabla (νάβλα, "Phoenician harp"). [1] [2] [3] A number of possibilities have been proposed for what kind of instrument the nevel was; these include the psaltery and the kithara, both of which are strummed instruments like the kinnor, with strings running across the sound box, like the modern guitar and zither.