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"Lute tuning" is usually capoed on 3rd fret to give G 2 C 3 F 3 A 3 D 4 G 4, and E 2 is often dropped to D 2 (F 2 with capo). There are hundreds of alternate guitar tunings; whole books have been written on the subject. [16] Classical Guitar: Steel String Guitar: Electric Guitar: Guitar, alto 11 strings 11 courses. B ♭ 1 C 2 D 2 E ♭ 2 F 2 G ...
D/F ♯ is a D chord with F ♯ in the bass, and; A/C ♯ is an A chord with C ♯ in the bass. Slash chords generally do not indicate a simple inversion (which is usually left to the chord player's discretion anyway), especially considering that the specified bass note may not be part of the chord to play on top.
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
A musical passage notated as flats. The same passage notated as sharps, requiring fewer canceling natural signs. Sets of notes that involve pitch relationships — scales, key signatures, or intervals, [1] for example — can also be referred to as enharmonic (e.g., the keys of C ♯ major and D ♭ major contain identical pitches and are therefore enharmonic).
The Elektra chord is a "complexly dissonant signature-chord" [1] and motivic elaboration used by composer Richard Strauss to represent the title character of his opera Elektra that is a "bitonal synthesis of E major and C-sharp major" and may be regarded as a polychord related to conventional chords with added thirds, [2] in this case an eleventh chord.
Cmaj11: C-F-C-G-B-E (used by Soundgarden on the song "4th of July") Cm add4: C-F-C-G-C-D ♯ (used by This Town Needs Guns on "Baboon" and "Lemur") Open Page/Csus2/Gsus4: D-G-C-G-C-D (used by Jimmy Page in "The Rain Song") Dm7: D-A-D-F-A-C (used by Richie Havens in "From the Prison") [24] Dm9: D-A-D-F-C-E; Dm add9: D-A-D-F-A-E (used by Opeth on ...
The altered scale is made by the sequence: Half, Whole, Half, Whole, Whole, Whole, Whole. The abbreviation "alt" (for "altered") used in chord symbols enhances readability by reducing the number of characters otherwise needed to define the chord and avoids the confusion of multiple equivalent complex names.
For all-fourths tuning, all twelve major chords (in the first or open positions) are generated by two chords, the open F major chord and the D major chord. The regularity of chord-patterns reduces the number of finger positions that need to be memorized. [20] The left-handed involute of an all-fourths tuning is an all-fifths tuning.