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The Era said, "If Lady Windermere's Fan showed us Mr Oscar Wilde as a playwright at his best, A Woman of No Importance exhibits all the vices of his method with irritating clearness". [26] The Pall Mall Gazette complained of "much want of originality in matter, and some want of originality in manner", but thought it "a play with many strong ...
The Artist. In this prose poem, an artist is filled with the desire to create an image of "The Pleasure that abideth for a Moment". Able to fashion this image out of bronze only, he searches the world for the metal but all he can find is the bronze of one of his earlier pieces, "The Sorrow that endureth for Ever".
Oscar Fingal O'Fflahertie Wills Wilde [a] (16 October 1854 – 30 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular and influential playwrights in London in the early 1890s. [3]
The title-page of the first edition of The Sphinx, with decorations by Charles Ricketts. The Sphinx is a 174-line poem by Oscar Wilde, written from the point of view of a young man who questions the Sphinx in lurid detail on the history of her sexual adventures, before finally renouncing her attractions and turning to his crucifix.
Lady Windermere's Fan, A Play About a Good Woman is a four-act comedy by Oscar Wilde, first performed on Saturday, 20 February 1892, at the St James's Theatre in London. [ 1 ] The story concerns Lady Windermere, who suspects that her husband is having an affair with another woman; she confronts him with it.
Vera; or, The Nihilists is a play by Oscar Wilde.It is a tragedy set in Russia and is loosely based on the life of Vera Zasulich. [1] It was Wilde's first play, and the first to be performed.
The original manuscript for the play is held at the Harry Ransom Center at the University of Texas at Austin as part of their larger holdings by and about Oscar Wilde. [ 1 ] In 1914 the young Italian composer Carlo Ravasegna (Turin 1891-Rome 1964) wrote a short opera titled Una tragedia fiorentina to a translation/libretto by Ettore Moschino.
Pages 683–780. (This is an expanded version of the 1962 book The Letters of Oscar Wilde edited by Rupert Hart-Davis; both versions contain the text of the British Museum manuscript). Ian Small (editor): The Complete Works of Oscar Wilde. Volume II: De Profundis; Epistola: In Carcere et Vinculis (2005). Oxford University Press, Oxford.